My brother and I headed out to Video Games Live hosted by Tommy Tallarico of Video Game fame last Saturday night so here's a little insight into my experience.
Clearly, this was an event that understands its audience and delivered in a way in which the experienced video gamer would greatly enjoy. This was a great chance for old gamers like myself to take a trip down video game memory lane and reminisce a time when quarters were the only known currency; two dimes and a nickel would never cut it back then and a working change machine that took your wrinkled dollar bills was a god-send.
Video Games Live (VGL) is a video game production that takes a highly skilled orchestra and pits them into playing a vast number of memorable video game musical compositions while having it synced perfectly to a huge multi-media screen display of video games. Live orchestra playing to video games... live (hence the title). Classic title games that pioneered video gaming (such as Pong and Donkey Kong)to games of the near-future (Starcraft II and Metal Gear Solid 4) plus established franchises of the present (Super Mario Bros, Legend of Zelda, and Final Fantasy) all had its moments to bask in the sun and celebrate the creativity and efforts of all the people that had worked on these games. I'm not one to write a full play-by-play of the performance because I'm sure that there are a lot of videos of these concerts that can be found on youtube. Trust me when I state this, trying to watch any of these videos will give no justice to what a live show can bring. That is to say, the amount of tension, energy and release from live events that keeps an audience on the edge of their seats cannot be contained on a tiny recording device. Although, I have to admit, watching these videos does help reminisce what one was feeling at that time and it also adds a different perspective to where someone else was sitting.
As for those who are video game fringe fans or fell in the category of parent/girlfriend/boyfriend that were dragged out, probably had a relatively pleasant time. Objectively, this was a show that seemed to have had packed in a lot of bells and whistles including a lot of lighting effects and stage "gimmicks" that seemed to be thrown in to try to make the show more appealing. From this perspective, there was no connection to what was being presented and that is why I can see why the enjoyment level was paper-thin. It's hard for any non-gamer to connect to any of this because there is no emotional attachment to a good number of these games. A true gamer that has invested a lot of time and energy into playing these games and discovering these stories and creating emotional attachments to these characters and the universe that they reside, can make that connection and understand what VGL is trying to portray.
As an experienced gamer that was on hiatus for quite some time now, I found VGL to being something that helped me take a bit of time to reflect on my childhood and remember a time where my two biggest worries were where my next save point was or if I would find just one more 1up. But more importantly, it made me remember times with my family and hanging out with them; just being a kid and having fun.
It's funny how music can help make such strong emotional connections even if the music of the time was produced on an 8-bit console. My greatest disappointment of the evening was that I was not able to be one of the double bass players. I had payed close attention to this section as well as to the conductor, Jack Wall. I guess that can be a goal for something down the road. As for my highlight, Martin Leung is a 20-year old pianist that put together medley arrangements for Super Mario Bros, Final Fantasy and a game that I wish I had the pleasure of playing based on the music, Chrono Cross.
Enjoy.
Martin Leung: Chrono Cross
youtube.com/watch?v=hQ4fUhot1bI
Final Fantasy Theme by Martin Leung (Toronto 2008)
www.youtube.com/watch?v=KKKjQn5hSiA&feature=user
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